William Morris Fabrics and Textiles

Page 2

Morris in a smock at work

Morris in a smock at work

Morris was a very hands-on developer of the manufacturing process, endlessly trying out printing and dyeing techniques. Friends recounted meeting him on the street with dye-stained hands. He experimented with a variety of naturally derived dyes to get the subtle shadings that he found so attractive, and which were being widely replaced by the more harshly-coloured coal-tar dyes that were becoming popular in the burgeoning fabric industry during the industrial revolution. By the 1870’s he was dying his own wools for weaving his own textiles, and while teaching himself the art of tapestry weaving, he had a loom set up in his bedroom.

“Peacock and Dragon” woven wool fabric. Designed by William Morris in 1878. Produced both at Queen Square and later at Merton Abbey The design was used for wall hangings; came in different colourways.

“Peacock and Dragon” woven wool fabric. Designed by William Morris in 1878. Produced both at Queen Square and later at Merton Abbey The design was used for wall hangings; came in different colourways.

Morris’ daughter May was instrumental in heading up the Morris embroidery workshops, which produced a variety of hangings, cushions and other decorative panels.

“Lily” embroidered panel. Designed by William Morris

“Lily” embroidered panel. Designed by William Morris

Initially Morris had a manufacturing works in Queen Square in London, but Morris did use outside manufacturers for much of his production. Woven fabrics were made at Macclesfield and Halifax, while carpets were being made by outside manufacturers as well.